Issue 2/2010
Intermedia 2.0
Cross-disciplinary approaches, cutting across media and genres, have become so well entrenched since the 1960s that it has become impossible to conceive of the art scene without them. Sculpture, sound, film, theatre, performance and numerous other art forms have entered into various kinds of fusion since then with approaches adopted in the traditional fine arts. A surge of activity, rooted in new ideas about creativity and about ways of conveying content, has become apparent recently in this type of »intermediality«. To put it in perhaps rather melodramatic terms, media-specific work has been replaced by a mode of production that extends its reach to link together the most distant fields. »Intercreativity«, a paradigm for work and working methods situated between various individual disciplines, has begun to take over from traditional models... » read more
Net section
Smelling Sounds, Hearing Images
The promise of tumbling barriers between media
Christian Höller
Sense of hearing, sense of vision, Coop, YouTube
Eva Fischer, curator of the sound:frame festival, in conversation with Alexander Horwath, Director of the Austrian Film Museum, on the relationship between music, visualisation, sound film and VJing
Alexander Horwath, Eva Fischer
It Works!
The attempt to visualize classical music at the »lied lab 2010: hugo wolf festival«
Christa Benzer
Sliding past and creating friction
»Visualisation of classical versus electronic music« - a discussion with the protagonists of the »lied lab 2010: hugo wolf festival«
Stefan Niederwieser, LIA, Timo Novotny, Florian Launisch, Victoria Coeln, Claudia Rohrmoser
Intermedia 2.0
A Cultivated Mixture
On disdain for director’s theatre, the inviolability of musical scores and the bourgeoisie debate
Diedrich Diederichsen
Strategies of commonality
Masse und Macht plays son image
Christian von Borries
Viable Textures
On the work of the design studio numen/for use
Matthias Dusini
Unruly Discipline
Georg Schöllhammer, Markus Schinwald
Friedrich Kiesler’s Work in Theatre
The Inception of an Interdisciplinary Universe
Barbara Lesák
Verschieden ticken
Jasper Sharp
Jenseits von Bühne und iPod
Anne Hilde Neset
From audio book to visualised book
»literatur lab« experiments with visualists’ transpositions of texts
Thomas Keul
the responsive one
Kathrin Röggla
Thinking across Disciplines
On the relevance of intercreativity from the viewpoint of the funding initiative »departure«
Christoph Thun-Hohenstein
Artscribe
»Niet Normaal * Difference on Display«
Hedwig Saxenhuber
»Nasreen Mohamedi. Notes. Reflections on Indian Modernism«
Rachel Mader
»Taswir – Islamische Bildwelten und Moderne«
Michael M. Thoss
Norbert Pfaffenbichler »Silent Alien Ghost Machine Museum«
Dietmar Schwärzler
Julika Rudelius »Soft Intrusion«
Gislind Nabakowski
»Afro Modern – Journeys through the Black Atlantic«
Christian Kravagna
»A World Where Many Worlds Fit«
René Viau
»Wir wohnen«
Nicola Hirner
»Reading Gender. Art, Power and Politics of Representation in Eastern Europe«
Andrea B. Braidt
»Lebt und arbeitet in Wien III – Stars in a Plastic Bag«
Franz Thalmair
»Gender Check. Femininity and Masculinity in the Art of Eastern Europe«
Hedvig Turai
Luis Camnitzer
Jens Kastner
Books
Oreet Ashery, Larissa Sansour:
The Novel of Nonel and Vovel
Dietrich Heißenbüttel
Jonathan Finn:
Capturing the Criminal Image. From Mug Shot to Surveillance Society
Peter Kunitzky
Eva Horn, Lucas Marco Gisi (Hg.):
Schwärme – Kollektive ohne Zentrum Eine Wissensgeschichte zwischen Leben und Information
Gislind Nabakowski
Magdy al-Shafee:
Metro
Mona Sarkis
Gabriele Jutz:
Cinéma brut. Eine alternative Genealogie der Filmavantgarde
Marc Ries
Christa Blümlinger:
Kino aus zweiter Hand. Zur Ästhetik materieller Aneignung im Film und in der Medienkunst
Marc Ries