Issue 1/2019
Post-Yugoslavia
It is now almost 30 years since the Federal Republic of Yugoslavia began to disintegrate. Shortly after the fall of the Berlin Wall and the Iron Curtain, the urge for independence in some of the country’s constitutive republics, fueled in part by ultra-nationalist tendencies, proved a particular trial for a peace order in south-eastern Europe that long seemed impossible. Ongoing wars, repeated flare-ups of conflicts and the kind of ethnic “purges” that occurred in the 1990s continue to have a traumatic impact that resonates to this day in ways scarcely considered possible on the threshold to the 21st century. At times unstable peace agreements have meanwhile become established, although these are somewhat disputed and continue to spark further conflicts. Separatist tendencies and border demarcations within and around the region remain burn... » read more
Net section
Critique of Conspiracy – Conspiracy of Critique?
About the Exhibition Im Zweifel für den Zweifel
Sabine Maria Schmidt
Does the „Block“ Succeed the Book?
On Blockchain and Literature
Alessandro Ludovico
Smooth, Vivid, Fragile: Marble as Material, Motive and Texture in Post-digital Art
Ellen Wagner
48 Hours Sleep
Smooth, Vivid, Fragile: Marble as Material, Motive and Texture in Post-digital Art
Barbara Seyerl
When the Sardine Can Looks Back
About Nonhuman Subjectivity and Agency
Rahma Khazam
Post-Yugoslavia
Post-Yugoslav Art: Beyond Social Utopia
Jelena Petrović
Borders Without Borders
Alban Muja
„The Proletarian Lung“
The Struggle for the Commons as Memory Politics in Bosnia and Herzegovina
Damir Arsenijević
Heroines
Painting as a Revitalization of Historic Memory
Irma Markulin
EE-0
Video Essay from the Project Europa Enterprise
Lala Raščić
Emil (B5044)
A Historical Animal-Docu-fiction
Andrea Palašti
On Solidarity in Time
In Front of an Empty Wall, Looking at a Lost Image
Jelena Vesić, Darinka Pop-Mitić
Authorised Persons Only (2016)
Montenegro, an Area Torn Between Tourism, Illegal Construction Activity, and NATO
Siniša Radulović
Bijouterie of Memory
How „National“ Art Contributes to the Perpetuation of the Status quo
Danilo Prnjat
From the Series untitled and Exterminators
Photography and Erasure,
Text: Dora García
Fani Zguro
Artscribe
wildes wiederholen. material von unten
Michael Hauffen
1971 – Parallel Nonsynchronism
Emese Kürti
Ricarda Denzer – Erste Fassung (Interpretation) / Stefanie Seibold – Centerfolds
Sabine Mostegl
KwieKulik. SHE and HE
Corinna Kühn
Iris Andraschek/Hubert Lobnig – Empfindliches Gleichgewicht
Nora Leitgeb
Generalprobe. Arbeiten aus den Sammlungen von V-A-C, MMOMA und KADIST
Herwig G. Höller
Imogen Stidworthy
Sabine Weier
Abstraction as an Open Experiment
Bettina Brunner
Donna Huanca – Piedra Quemada
Milena Dimitrova
Wendelien van Oldenborgh – Future Footnotes
Aleksei Borisionok
Books
Volker Demuth:
Der nächste Mensch
Peter Kunitzky
Hans-Christian Dany:
MA-1. Mode und Uniform
Julia Moritz
Florian Rainer/Jutta Sommerbauer:
Grauzone. Eine Reise zwischen den Fronten im Donbass
Martin Reiterer