Issue 1/2023
Listening
Is anyone still listening? Does anyone still perceive all this? Or, to put it another way: Can there still be anything like a ‘deeper’ listening into the matters that surround us – in view of a social-medial, incessantly intensifying swarm of discourse with overlapping messages of what is already well known? The crisis mode in which our (Western) societies have found themselves for some time now does not necessarily make it easier to ‘listen’. On the contrary, the alarmism and (civilian) exceptionalism that currently dominate social and political events virtually prevent us from responding to, or being open to anything other than preconceived opinions. In this context, listening becomes an almost impossible task: a race against algorithmically solidifying walls of a perpetual murmuring, from which a more complex understanding, no matter wh... » read more
Net section
Learning from the Nonhuman
Yein Lee's Sculptures Point to a Posthuman, Feminist Future
Christa Benzer
Half Duck, Half Sierra
About the Collaborative Work Or So It Seems by Alan Butler and Simone C Niquille at transmediale 2023
Martin Conrads
“Against the Possibility of Giving Meaning to Reality”
An Encounter with the Author, Scientist and Artist Asia Bazdyrieva
Sabine Weier
Diving into the Fluid Other
In Search of “Non-identical” Spaces of Experience
Christian Höller
Maritime Textures
The Ocean as Medium and Threshold
Ellen Wagner
Listening
When Pools Turn Red
Five Artists and Cultural Workers from Iran comment on the Current Situation in their Country
Hannah Jacobi
tunes for summoning AND red status alert
Natascha Sadr Haghighian & Shirin Mohammad
“Emancipatory Listening Is Not Singular, But Collective”
About Vibrational Practices, Listening Cultures, Trees and Affects
Nina Sun Eidsheim
para-listening (2018–2023)
Ricarda Denzer
Politics of Vibration
Music as a Portal to “Topological” Spaces of Experience
Marcus Boon
Who is Afraid of Sound?
Listening as Transgression and Questioning of Cultural Visuality
Salomé Voegelin
The Art of Listening
Pascal Jurt
Technologies of Interception of Art and Culture in Putin’s Russia
Keti Chukhrov
Artscribe
Re-Materialisation of Language: 1978–2022
Max L. Feldman
Rosemarie Trockel
Patricia Grzonka
Heinrich Dunst sink UND on affairs
Rahma Khazam
Anna Jermolaewa – Number Two
Milena Dimitrova
16. Lyon Biennale: Manifesto of Fragility
Hedwig Saxenhuber
Kudzanai Chiurai/Frida Orupabo/Eric Magassa - FLIGHT
Simona Dumitriu
Je Veux, Vienna 1975–2022
Christian Egger
Sanja Ivekovic. Works of Heart (1974–2022)
Ada Karlbauer
TOGETHER THE PARTS – ein künstlerisch-performatives Gathering
Krassimira Kruschkova
Books
Stefanie Kitzberger/Cosima Rainer/Linda Schädler (Hg.):
Friedl Dicker-Brandeis – Werke aus der Sammlung der Universität für Angewandte Kunst Wien
Sabeth Buchmann
Denise Ferreira da Silva:
Unpayable Debt
Dietrich Heißenbüttel
Sianne Ngai:
Das Niedliche und der Gimmick
Peter Kunitzky
Carlos Reyes/Rodrigo Elgueta UND Sonja Eismann/Maya/Ingo Schöningh (Hg.):
Wir die Selk’nam UND Movements and Moments – Indigene Feminismen
Martin Reiterer